Design Articles

Design Defined Melissa Balkon Design Defined Melissa Balkon

What is a brand; the sequel

We've written a previous post in an attempt to define branding using an illustration from Breakfast at Tiffany's, however we wanted to write a companion post in hopes to clarify branding a bit more.

We've written a previous post in an attempt to define branding using an illustration from Breakfast at Tiffany's, however we wanted to write a companion post in hopes to clarify branding a bit more.

Although we help people build their brands all day and all night, it is always tough to describe it when someone asks "what is a brand?" so we've been working on finding a better way to explain this infinitely important concept in a way that is simple and easy to understand. Here's what we've come up with: A brand is a perception.

In context of your organization, a brand is the perception a customer has of your company. Similarly, in context of yourself personally, a brand is the perception someone has of your character. There are two components of a brand: your internal brand and your external brand.

Internally, your brand is who you are at the core—it must be intentionally formed throughout your culture by continually upholding your established values.

Externally, your brand is the impression (or perception) that a customer or prospective customer has of your company.

Weak brands stem from an internal brand that is undefined, unremarkable, and maybe even just plain negative. Because their internal brand is so weak there is nothing to leverage into a memorable experience for their customers. Therefore their customers' perceptions of these companies are that they are vague, boring, or putting on a show (that they quickly see-through). This type of experience is off-putting for a customer and doesn't inspire customers to fall in love with your product or service.

Powerful brands find their strength in first building, strong, remarkable internal brands and then taking deliberate steps to demonstrate that brand throughout each touchpoint with a customer or prospective customer. By deliberately infusing their brand through every interaction—including their logo, website, marketing materials, office decor, customer service, etc.—these companies' customers experience a strong, consistent, memorable perception of what truly drives this organization. This type of experience is a delight for your customer and leaves them hungry for more of your product or service (and often willing to pay a premium for it).

Here at Strong Design, we work hard to further our clients brands. We do this by taking the time to learn about our clients' brands and designing each of their marketing pieces to help accurately shape a customer's perception of them and align the external perception of the company with the remarkable brand that lies within.

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Design Defined Melissa Balkon Design Defined Melissa Balkon

What makes a good logo?

A logo is a pretty pivotal part of your brand identity. But what makes a particularly great logo? There are two different ways of viewing a logo as successful: It achieves the true purpose of a logo, and it is technically usable.

A logo is a pretty pivotal part of your brand identity. But what makes a particularly great logo? There are two different ways of viewing a logo as successful: It achieves the true purpose of a logo, and it is technically usable.

The purpose of a logo

Legendary identity design firm AdamsMorioka put it best when they explained the purpose of a logo:"[As people] we are identified ... with names like John, Maria or Frank. We prefer not to be called 'the guy who lives on Maple Street and works at the pharmacy' or 'the woman who has a beehive hairstyle and runs a trucking company.' This is a long-winded, confusing, and forgettable. In the same way, a logo should not literally describe the client's business; a logo is an identifier. Many clients would like their logo to describe every aspect of their company. This is natural, they're proud of their achievement. It is problematic, however, and may lead to a restraining identity. The logo is a signpost that identifies the company and reflects its attributes and values." It shouldn't be an illustration, but "a shortcut, a visual language that is quickly recognizable and memorable."To put it simply, the purpose of a logo should not be to literally portray what your company does, but rather, it should be a visual hallmark that sets the proper tone for what your company is about at its core.

A logo does not need to literally describe your business; a logo should simply be an identifier.

A technically usable logo

Since there is no such thing as the logo police (although sometimes I wish there were!), there are technically no hard-and-fast technical rules of logo design. However, the way a logo is crafted can either save or cost you money when it comes to reproducing it across print, web, and interactive media. As a small business or startup, there are things to keep in mind that will enable a high degree of usability in your logo (and hopefully a low cost of reproduction!).

1. Your logo should be in vector format

It’s the most basic of logo design principles. Your logo design should be created in vector format. With a vector logo, you have the ability to scale the logo up or down with no loss in quality. To create a vector logo, your designer should be working in a program such as Adobe Illustrator or Corel Draw. If your designer is creating your logo in Photoshop, you may want to inquire if it can be created in a vector application instead. A logo created in Photoshop is really just a photo. The problem with having a photo for a logo is that when it is scaled up in size it becomes pixelated with yucky, blurry squares that will not give your business the professional look you desire.

2. Your logo should work in all black

Many business owners (and, unfortunately, designers too) get one step ahead of themselves worrying about logo colors. Color is important, but a logo should first and foremost work in all black. There are plenty of times you will need to use your logo where only black (or one-color) can be used.

3. Your logo should work very small

Marketing is not all signs and billboards. In the course of your marketing, your logo may very well need to be used in some pretty small areas. Take something as simple as your business card: a business card is only 3.5″ wide by 2″ high, and typically the logo should take less than half this space. Merchandise tags are usually more petite than a business card, and often imprint areas on promotional items are even smaller yet. It is important not to get too carried away with the complexity of your logo and remember that all elements need to be clear and readable at a very small size.

4. Keep logo colors to a minimum

Sure, this might not sound like much fun, but neither is a whopping printing bill because your stationery had to be printed in 4 custom colors. Additionally, we need to keep in mind the purpose of a logo as a hallmark for your company—"owning" one or two colors in the mind of your customer is much easier than trying to own a broad spectrum of colors. A streamlined palette is simply more technically usable and also more memorable. You can always integrate additional, coordinating accent colors into the surrounding design of your marketing pieces to achieve additional color and depth.

5. Keep the overall shape in mind

The overall shape of the logo should be roughly equivalent to a standard shape, such as a square, rectangle, circle, or triangle. This doesn't mean your logo needs to actually be one of these shapes, but that its overall layout should group together as a whole, rather than spreading out into a nebulous shape. The reason it is important that the logo unites into a strong shape is so that it can be placed next to other content and copy and still stand strongly on its own. If the overall shape of your logo is nebulous and awkward, it will quickly get lost among other elements on the page.

If you follow these overall guidelines, you'll create a logo that stands the test of time and can be consistently reproduced across all media.

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